Seeing is Believing

Erik ReeL painting
Erik ReeL, Opus 1681, acrylic on paper

Once someone sees  opus 1681, they are more likely to understand why many of my pieces can only be truly seen live. No digital manipulation or camera can capture the special nature of this piece, because its perceptual situation is intrinsically caught up in the nature of the cognitive processing necessitated by our two-eyed visual apparatus. You simply see things that are not there, or, more accurately,  invisible to a single-lensed  camera.

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