Ecce Homo

Erik ReeL painting
Erik ReeL, #1282, acrylic painting

Painting as exploring mark-making itself; mark-making freed of all its referentiality to the material world, to history, to story-telling, to materialistic pretension.

One question that immediately arises: What makes mark-making specifically human, and if human, hand-made [as opposed to human and human-machine-made]?

Another is: What if everything else is stripped away and we only see marking? Marking without explicit representation anywhere? Specifically, marks on a flat– and thus “to be read” surface, thus de-emphasizing, even denying,  its material thing-ness?

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