Swinging

Erik ReeL painting
Erik ReeL, # 1257, acrylic on linen

Though the very nature of putting something down on a two-dimensional surface inherently involves abstraction, it took awhile for painting to realize a completely abstract image, and the significance of doing so.

Historically, over the last century or so, once “total” abstraction emerges, it quickly devolves into a reductionist mode and finds a point where “everything seems to have been done” and we see a swing away from abstraction into more pictorial modes. This goes on for a short while until another generation says, “oh, wait; there’s more to be said and done” and off we go again.

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